- The Artist movie typography and lettering – But the real problem was that they used type at all.
- The Art of Screenwriting No. 2, John Gregory Dunne (Paris Review) –
- The Art of Screenwriting No. 1, Billy Wilder (Paris Review) –
Elokuvajulisteista (SXSW 2012)
Elokuvallisia huomioita maailmalta 10.03.2012 – 12.03.2012
- Filkkareidet parhaat 2012 Kiasmassa –
- Kids who grew up watching The West Wing are now in politics – The West Wing has inspired a new generation with its vision of a Washington brimming with lofty ideals
- 20th Century Fox Flute Edition (YT) –
Elokuvallisia huomioita maailmalta 7.03.2012 – 10.03.2012
- A Musical Overview of Bret Easton Ellis’ Oeuvre – Though cross-pollination between books and music is an age-old trend, cult novelist Bret Easton Ellis fills his books with more music references than anyone else we can think of, and his works are inextricably woven into the pop culture they portray — partially because it seems like every time Ellis makes a music reference in a novel, a band is making an Ellis reference in a song. We’ve put together a master list of music mentioned throughout his entire oeuvre, complete with streaming playlists so you can fill your day with a BEE soundtrack. We had some help from the official source, but finding that insufficient, went through ourselves and picked out some more of our favorite musical moments and shout-outs throughout the novels.
- Artisokka Film Festival 2012 – onpas hyvä elokuvavalikoima
- Nuri Bilge Ceylan photography –
Helmikuun pika-arviot
STAR WARS EP1 3D: So why didn’t Lucas spend his money on remaking this into a good film?
— Olli Sulopuisto (@osulop) February 6, 2012
Arvio Domessa.
HÄRMÄ (FI’12): Western set in 19th C Finland suffers from weak script and the most horrifying color grading I’ve ever seen.
— Olli Sulopuisto (@osulop) February 9, 2012
Arvio Domessa.
KOHTA 18 (FI’12): The film feels like it was influenced by Skins, but I don’t mean the OTT plots but the feeling of veracity. Excellent.
— Olli Sulopuisto (@osulop) February 9, 2012
HUGO (US’11) is such a heartfelt love letter to the magic of cinema it’s impossible not to love it. A huge movie that feels very personal.
— Olli Sulopuisto (@osulop) February 10, 2012
Arvio Domessa.
THE GREY (US’12): Zero calorie philosophizing and my new favourite Winter movie, despite the obligatory ”taking my gloves off” bits.
— Olli Sulopuisto (@osulop) February 13, 2012
HAPPY END (SWE’11): Runge’s (still) interested in people who are being beaten down figuratively and literally. Gorgeous colour, deep shadows
— Olli Sulopuisto (@osulop) February 15, 2012
HAPPY END: The acting is impeccable as always. Especially liked Ann Petrén, who has a perfectly cinematic face.
— Olli Sulopuisto (@osulop) February 15, 2012
KULMAN POJAT (FI’12) has a fun 1st act then boggles down to run of the mill romcom blandness. Many, many, many jokes about cocks big & small
— Olli Sulopuisto (@osulop) February 15, 2012
TÄHTITAIVAS TALON YLLÄ (FI’12): Interwoven stories of 3 generations of women, heavy on theme & light on narrative momentum.
— Olli Sulopuisto (@osulop) February 22, 2012
CHRONICLE (US’12): High school drama segues into ubermench morality. Mostly consistent if somewhat overwrought found footage concept.
— Olli Sulopuisto (@osulop) February 23, 2012
FEMMES DU 6e ETAGE (FR’11): Capitalist exploits, subverts foreign workers &love comes tumbling. Luchini kills in this.
— Olli Sulopuisto (@osulop) February 23, 2012
Luku: 26
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