Miksi en katso kovin paljon televisiota
Twitterissä kehuttiin Veep-sarjan kolmatta kautta ja sitten Bilge Ebiri kysyi, pääseekö sarjaan sisälle, jos ei ole nähnyt aiempia tuotantokausia. Kakkoskautta suositeltiin, johon Ebiri lausahti notta
@craigary @SamuelAAdams No time. The inability to binge and/or catch-up is what prevents me from watching anything these days.
— Bilge Ebiri (@BilgeEbiri) April 7, 2014
Tässä ollaan syvällisen viisauden äärellä.
Arvostelu: Tuuli nousee on animemestarin takuuvarma jäähyväistyö
Poika uneksii lentämisestä. Siten voisi tiivistää ison osan animelegenda Hayao Miyazakin urasta ja elokuvista: lapsia, toiveita ja lentäviä laitteita. Niitä on täynnä myös Tuuli nousee, joka näyttäisi jäävän hänen viimeiseksi elokuvakseen.
Elokuvallisia huomioita maailmalta 2.04.2014 – 4.04.2014
- Amazon UK lopetti ilmaiset postitukset Suomeen –
- Stanley Kubrick answers a question –
- Mark Harris Talks About His Book ”Five Came Back” and the way World War II changed Frank Capra, John Ford, John Huston, George Stevens and William Wyler – Huston was definitely a mixed bag as a person, definitely a very difficult man. But I think four of the five of them knew that the war had changed the country, and would change the way they made movies. And it did change the way they made movies.
And the only one who really imagined that the war was a kind of horrible interruption after which things would go back to the way they were before the war was Capra. And that’s why, I think, “It’s a Wonderful Life” is so infused with nostalgia. It’s this kind of desperate lunge to say ‘can we all just pretend this never happened and go back to the way we were’
Maaliskuun elokuvamielipiteet pilkottuna pätkiksi
L'ANNÉE DERNIÈRE À MARIENBAD (FR'61): Tried to abstain from 'why/what' but afraid I didn't entirely succeed; gorgeous women, b&w; f'n organs
— Olli Sułop̶ui̕st͏o (@osulop) March 7, 2014
NEED FOR SPEED (US'14): Fast cars, almost legible cinematography, lumps of meat discussing vapidly, going across America. Coulda been worse.
— Olli Sułop̶ui̕st͏o (@osulop) March 8, 2014
VANISHING POINT (US'71): Transcendent vistas, crazy driving, naked bike girl, Charlotte Rampling, inspired Primal Scream–what's not to like?
— Olli Sułop̶ui̕st͏o (@osulop) March 8, 2014
THIS IS THE END (US'13): 666 dick jokes sewn together in a self-fellating ouroboros.
— Olli Sułop̶ui̕st͏o (@osulop) March 14, 2014
THE LONG GOODBYE (US'73): It'd be a weaker film of it had any more detecting. The Big Lebowski makes more sense now, too. And the cat!
— Olli Sulopuisto (@osulop) March 20, 2014
GRAND BUDAPEST HOTEL (UK/DE'14): Overloaded in every way, fashion, and direction. It's not a bad thing, mind you. Hints of renewal?
— Olli Sulopuisto (@osulop) March 25, 2014
RAID 2 (ID'14): Infernal Affairs or The Godfather it ain't.
— Olli Sulopuisto (@osulop) March 27, 2014
WETLANDS (DE'13): Her transgressive physical pleasures get a deflatory psychobabble explanation.
— Olli Sulopuisto (@osulop) March 27, 2014
POMPEII (CA/DE'14): An eruption of volcanic auteurism.
— Olli Sulopuisto (@osulop) March 28, 2014
NOAH (US'14): Bible – The Preposterous(ly enjoyable) Action Movie with British Accents and Some Murder
— Olli Sulopuisto (@osulop) March 31, 2014
38 kpl.